![]() And after spending some time with them, I think they just may become my new guides, therapists, and designated drivers - because they make all my recording and mixing tasks just feel easier.ĭesigned to be positioned horizontally, the SCM25A is the smallest and most affordable model from ATC's battalion of massive monitors. I'm not sure I was aware of how much energy I was putting into my day-to-day listening until I got a chance to start working on a pair of ATC SCM25A three-way active loudspeakers. We suffer from decision fatigue as much as we can suffer from ear fatigue, and it can sap our energy and creativity insidiously over our days. We can learn the language of any speaker system in time, but that given system may require so much of our energy understanding how it translates, it can make something simple feel like a great effort. I think we can all do great work on all kinds of speakers - it's just how much effort we have to put into it. We need to find partners who speak our language, or at least a language we can learn. We can think faster than we can listen (just remember this the next time someone starts going on about something you don't want to pay attention to), and our monitors put out a lot more information than we can easily absorb. In the end, we have to rely on our speakers, if not to tell us the truth, then at least to show us the path. ![]() And sometimes, like in any long-term relationship, we fight or see things different ways, but we figure it out. We get to know their foibles and triumphs where they shine and where they cause us heartbreak how far they're willing to help us along. They sit dead-center of the whole production process. Everything we do, we do using them as our guides and counselors. If we're lucky, it's just "flow," and we're not even aware that we're making decisions - we're just "doing." And for us, the most important tools (outside of ours ears and well-being) are our monitors. At its core, recording, like any creative endeavor, is about us making decisions one-by-one, until they all pile up on each other to form something meaningful from the raw material - in our case, the performances and sounds in front of us.
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